One of you denies me; one of you betrays me: The Last Supper in the Cenacolo di Sant’Apollonia

I have Jesus Christ Superstar on the brain. On. the. brain. I just can’t get enough of it. I love how human Judas is in the play/movie. He’s a real person with frustrations and justifications, real, true anger and real, true love. We know how it’s going to go. We know his fate before the movie even begins. And then I’m always so happy to see him show up again, all be-fringed and belting it out toward the end of the movie. So what does this have to do with the Cenacolo di Sant’Apollonia in Florence? I’ll tell you: the Judas in Andrea del Castagno‘s Last Supper there is about as far from the Jesus Christ Superstar Judas as you can get. But let’s step back for a minute. Here’s the painting:

Andrea del Castagno, Last Supper, 1445-50, fresco, Cenacolo di Sant-Apollonia, Florence

Andrea del Castagno, Last Supper, 1445-50, fresco, Cenacolo di Sant-Apollonia, Florence

It probably looks familiar – not exactly the same as Leonardo’s more famous, and later, version, but the format is similar. Andrea del Castagno’s Last Supper, again like Leonardo’s, is in a refectory (the place where monks/nuns eat in a monastery or convent, “cenacolo” in Italian) in a convent in Florence. Whether or not you’ve seen it before, take a moment and bask in its amazingness. Continue reading